2023
Alexander revier: gentle persuasion: a study of splatter
December 2, 2023 - January 6, 2024
lance myers: how to be meaningless in an okay world
December 2, 2023 - January 6, 2024
kathryn bagwell: messengers
December 2, 2023 - January 6, 2024
maria barrientos
December 2, 2023 - January 6, 2024
jackson daughety: ipad baby
November 11, 2023 - January 6, 2024
daniela flint: gardens of the affluent
November 11, 2023 - January 6, 2024
jeanne neal: third hand
October 21 - November 25, 2023
chuck & george: retrospective
October 21 - November 25, 2023
douglas r. dover: 98% air
September 30 - November 4, 2023
Anthony reans: eyes in motion
September 30 - November 4, 2023
Bumin kim: nocturne
September 9 - October 15, 2023
laura J. Lawson: Jovian Resonance
September 9 - October 15, 2023
chaos! 9
July 15 - September 16, 2023
Lillian young: the problem with archives: a portrait is worth our words
July 29 - September 2, 2023
justin archer: weathered patterns
July 29 - September 2, 2023
Gallery Three
July 29 - September 2, 2023
brantly sheffield: it was a good time
June 17 - July 23, 2023
sergio nates: Chromatic secrets
June 17 - July 23, 2023
sophia anthony: interior motives II
May 13 - July 8, 2023
gillian bradshaw-smith: mixed metaphors
May 6 - June 11, 2023
brad ford smith: outside inside
May 6 - June 11, 2023
chance dunlap: friends, #notcactus
April 15 - May 20, 2023
Sophia anthony: Interior motives
March 18 - April 29, 2023
she/her
March 18 - April 29, 2023
New Works and favorites
January 21 - March 11, 2023
yuni lee: mindscapes
January 21 - March 11, 2023
bartosz beda: owing to the absence
February 4 - March 11, 2023
what we see ahead: Selected works by recent unt painting graduates
January 14 - 28, 2023
