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Kelly ​Ingleright-Telgenhoff

Kelly Ingleright-Telgenhoff: Artist Statement
My paintings, drawings and fiber works explore the duality that exists in life. I often pair the beautiful with the grotesque, the real with the abstract, the minimal with detailed, the boundlesswith the bound, and desire with loathing. Mentally contemplating and evaluating the dual natureof objects and their meaning provides a thoughtful, cathartic, and creative journey. As I work, I ruminate over how to create a special tension in a mundane object. My entire painting, drawing or sculpting process hinges on double and triple meanings -- word or mental puzzles that keep me mentally sharp because I want to create something that is more than the sum of its parts, while referencing dualities found in life experiences. 

Finding a way to elevate common everyday objects is the goal. The objects depicted in my work become iconic forms -- they transform and transcend their original meaning and purpose. At times the items depicted are moldy, decaying, or just plain distasteful, yet they possess some type of beauty because of the way the item is manipulated on the canvas. By creating a simplified background that is coupled with a detailed rendering of a highly detailed subject placed in the foreground promotes a push-pull tension. Often I expand an object several times beyond its actual size which is another way to elevate the object into some monolithic form. This extreme enlargement of the chosen item leads to a special level of abstraction even though the object from a distance is recognizable. 

Creating the intersection of abstraction and realism certainly adheres to my concept of duality. While I do use a traditional academic system of under painting, the hues utilized are simply different shapes and forms placed next to one another if seen close up; however, upon standing ten feet away from the work, the subject comes into focus as a whole piece with slight nuances of color change and a tight form. 

Narrative scenes are an important component of my work. I enjoy a good story -- this probably connects to years of teaching as an Art Historian and Historian and my love of detail. While the scenes depicted are not quite real, although they may seem familiar, they are more surreal due to distortion of space. It is this in-between space where the arcane, sublime, and eerie tension exists and speaks to my overriding sense of dread.
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Artist Bio

Kelly Ingleright-Telgenhoff (b. 1965) is a Michigan native with an extensive educational resume. She holds an MA in History (Western Michigan University), graduate work in Art History (Michigan State University and Indiana University), and recently acquired an MFA from the University of North Texas (2016). She has won teaching and research awards as well as art competition awards. Kelly has been a Texas resident for twelve years and currently resides in Weatherford Texas where she works from her home studio. She has been teaching Art History and History at the college and university level for more than twenty years. Kelly currently teaches Art History courses and Painting and Drawing courses for local colleges.
Kelly began showing work professionally five years ago in the Dallas/Fort Worth area.
She has had several solo and two person shows and has been in a large number of juried shows and group exhibitions. She has been invited to show
work at the Craighead Green Gallery for New Texas Talent Show (2016) and RO2 Gallery’s Chaos show (2016). Her work is also part of the permanent collection of the Old Post Office and Museum in Graham Texas as well as several private collections.
This artist’s work primarily focuses on the intersection of abstraction and realism in large oil, acrylic or mixed media landscape and still life paintings. For her, the tension of the symbolic and the literal, as well as abstract and real, provides an interesting and challenging place to dwell. The settings she creates are not quite real. Yet, there is a narrative affiliated with each work that might be understood immediately or with great rumination.

Curriculum Vitae

​Education 
2016    MFA., Painting and Drawing, University of North Texas, Denton, TX  
2004    Ph.D., candidate, History of Art, Indiana University,   Bloomington, IN 
2000    Graduate Studies, History of Art, Michigan State University, East Lansing, MI                                                         
2000    M.A., History (American) Western Michigan University, Kalamazoo, MI             
1992    B.A., History, Western Michigan University, Kalamazoo, MI 
 
Teaching/ Research/professional Experience 
          2016     Adjunct (Painting / Art History), TCCD Northwest, Fort Worth, TX 
          2016     Adjunct (Painting / Art History), Weatherford Community College, Weatherford TX            
2014-2016     Teaching Assistant and Teaching Fellow, University of North Texas, Denton, TX 
2013-2014     Adjunct, Teaching Assistant and Fellow, University of North Texas,  Denton, TX 
2007- 2010    Visiting Instructor, University of Texas at Arlington, Arlington, TX 
2012-2013     Adjunct, Tarleton State University, Stephenville, TX  
2005-2009     Visiting Instructor, Trinity University, San Antonio, TX 
2000-2004     Teaching Assistant, Indiana University, Bloomington, IN 
2001-2003     Visiting Lecturer,   IUPUI (Herron School of Art), Indianapolis, IN 
          2002      Visiting Lecturer, Butler University, Indianapolis, IN 
 
Solo Exhibitions and Two Party Exhibitions 
2016    Gallery 414,  Khandha:  Five meanings of Existence, Fort Worth, TX  Curated by John Hartley    
            (MFA exhibition) 
2016    Breckenridge Fine Arts Center,  A Quiet Refuge, Breckenridge, TX  Curated by Victoria     
             McPherson 
2015   Atrium Gallery, UNT Health Science Center, Sacred/Temporal,   
            Heather Braman Gaton/Kelly Ingleright-Telgenhoff 
            Fort Worth, TX 
2015    Gallery 76102, The Ties That Bind: Ruminations on Identity, Memory and Spirituality,    
             Fort Worth, TX    Curated by Rachel Kennedy 
 
Selected Group Exhibitions 
2016    Umbrella Gallery, Material Evidence and Forms of Alteration,  Dallas TX 
2015    Gallery 414:  “Twentysomething”   Fort Worth, TX 
2015    CVAD   MFA Showcase,   North Gallery,   Denton, TX 
2015    Order Up!   Cora Stafford Gallery, University of North Texas, Denton, TX  
2014    University of North Texas,   Fall MFA Show, Lightwell Gallery,   Denton, TX 
2014    Gallery 76102,   UTA Faculty Show, UT Arlington/Fort Worth Center, Fort Worth, TX 
2012    Works on Paper:  9 x 12 show,   Fort Worth Community Art Center, Fort Worth, TX 
2010    Tarleton State University, Faculty Exhibition, Stephenville, TX 
2010    F6 Gallery, All Girls Show, Arlington, TX  
 
Selected   Juried   Exhibitions 
2016    500X Gallery Annual Juried Show, 500X Gallery, Dallas, TX 
2015    Annual Voertman Competition, University of North Texas, CVAD Gallery, Denton, TX 
2015    500X Gallery Annual Juried Show, 500X Gallery, Dallas, TX 
2014    4th Annual Competition:  897 Square, Gallery 76102, Fort Worth, TX   
2013    3rd Annual Competition:  897 Square, Gallery 76102, Fort Worth, TX      
2013    Tarrant County College (Northwest) Student Art Exhibition, Fort Worth, TX   
 
 
Private and Museum Collections 
2012    I Scream for Ice Cream!,  Old Post Office and Museum, Graham, TX      
 
 
Awards  and  Outreach 
2014    University of North Texas Lightwell Gallery, Assisted with Art Beyond Sight, Outreach      
             Project affiliated with SMU, Curated by Elaine Pawlowicz 
2012    Second Place, Tarrant County College, Student Art Exhibition, Fort Worth, TX   
2013    First Prize, Tarrant County College, Student Art Exhibition, Fort Worth, TX     
2010    Honorable Mention, Adjunct Teaching Award/ College of Liberal Arts, University of Texas    
             at Arlington, Arlington, TX 
1998    First Place, Research Recognition Day, Council of Graduate Students Michigan State   
             University, East Lansing, MI     
 
 
Presentations/publications 
2010    Art Demonstration, Weatherford Artist Association, Weatherford TX 
2010    Department of Women’s Studies and English (UTA),   “Georgia O’Keeffe, Spin Doctors,    
             and Revenge,” Arlington, TX 
1999    Susanna and the Elders:  Lessons of Honor and Virtue in Renaissance and Baroque Visual          
             Images, 25th annual Case Western Symposium, Cleveland, OH 
1999    Susanna and the Elders:  Lessons of Honor in the Patrician Renaissance Home, 2nd annual            
             Michigan State University Spartan Forum, East Lansing, MI 
1998    A Stylistic Iconographic and Contextual Analysis of Artemisia Gentileschi’s                
             Pommersfelden Susanna and the Elders, Paper presented at 1st annual Michigan State     
              Spartan Forum, East Lansing, MI 
1995    Eric Sloane:  Artist as Public Historian, Michigan Academician Conference, Ferris State      
             University, Big Rapids, MI
Ro2 Art Gallery  | 214.803.9575 | 2606 Bataan St.,  Dallas, Texas 75212 

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